Tuesday, June 06, 2006

Tibetan Buddhism

Tibetan Buddhism

Buddhism was introduced into Tibet in the 7th century, during the reign of Tubo King Songtsan Gambo, and gradually infiltrated Tibet's history, politics, economics, culture, exchanges, and habits and customs to become the most extensively worshipped religion of Tibetans.

Vajra

Tibetan Buddhism (Lamaism) has exerted extensive and profound influence on the Tibetan people. Prolonged ethnic cultural exchanges also enabled Tibetan Buddhism to make its way into the Mongolian and other ethnic minority nationalities throughout China. Buddhism has long been widely worshipped in Tibet, especially in the traditional Kham and Amdo areas. It has also made its way into Bhutan, Nepal, and Mongolia.

Formation of Tibetan Buddhism

The spread of Buddhism to Tibet is attributed to Tibetan King Songtsan Gambo, who did his best to establish friendly ties with neighboring countries and learn from the cultures of other countries.

His marriage with Princess Khridzun of Nepal and Princess Wencheng of China's Tang Dynasty (618-907) facilitated the introduction of Buddhism to Tibet. Each princess journeyed to Tibet with statues of Buddha and Buddhism scriptures. Artisans accompanying the princesses participated in the construction of the Jokhang and Ramoche monasteries. Also, Buddhist monks from Nepal and China began translating Buddhist scriptures. Buddhism thus was spread in Tibet.

Tibet went though a power struggle for more than half a century after the death of Songtsan Gambo. Buddhism failed to flourish until Tride Zhotsan, Songtsan Gambo's great grandson who took power in 710. He married Princess Jincheng of the Tang Dynasty.

The new bride moved the statue of Buddha, which Princess Wencheng brought to Tibet, to the Jokhang Monastery. Meanwhile, she arranged monks accompanying her to the Tubo Kingdom (629-846) to take charge of the monastery and related religious activities. She engaged in a painstaking effort and finally succeeding in persuading the Tubo court to accept monks fleeing from western regions and build seven monasteries to house them.

While the measures further boosted the development of Buddhism in Tibet, they nonetheless sparked discontent among Bon-worshiping ministers. The ministers left no stone unturned to obstruct the development of Buddhism, with the situation lasting until Trisong Detsan, the son of Tride Zhotsan, came to power.

Trison Detsan relied on Buddhism to fight ministers who rallied behind the Bon religion. As part of the effort, he invited Zhibatsho and Padmasambhava, famous Indian monks, to build the Samye Monastery in 799. Seven noble children were later tonsured (shaved, signifying acceptance) to the monastery, which became the first monastery in Tibetan Buddhist history to tonsure monks.

Tibetan Buddhism

In addition to inviting Indian monks to Tibet, Trisong Destan sent trusted emissaries to China's hinterland to invite monks to lecture in Tibet. Mahayana became one of the many Han monks who contributed to ensuring that Han Buddhism flourished in Tibet. Mahayana remained in Tibet for 11 years, lecturing on Buddhism and completing nine books on Buddhist tenets.

Scull Cup

Tubo kings in ensuing dynasties did their utmost to promote Buddhism by building monasteries and commissioning the translation of Buddhist sutras. At the same time, they granted monks royal incomes and even encouraged them to become involved in government affairs to undermine ministers who supported the Bon religion. The policy spawned the deep hatred of the Bon ministers, who eventually arranged for the assassination of Tritso Detsan in 842. The ministers then threw their support behind Darma, the brother of Tritso Detsan, to become the new Tubo king.

Shortly after assuming power, Darma set out to suppress Buddhism, but was soon assassinated by Tibetan Buddhists, and war erupted between the different power factions. Slaves, who were thrown into the abyss of misery, rose to revolt. Tibet was torn apart by various forces, and the spread of Buddhism was thus halted.

The early 10th century witnessed the entry of a feudal society in Tibet, with each of the Tubo ministers occupying a part of the kingdom and becoming feudal powers in their respective localities. They proceeded to promote Buddhism to strengthen their own rule, hence reviving the religion in Tibet.

In terms of form and content, however, the rise of Buddhism in Tibet during this period was worlds apart from Tubo Buddhism. The 300-odd years of struggle between Buddhism and the Bon religion resulted in each absorbing the other's strong points. Buddhism became increasingly localized as the region entered the feudal stage, hence allowing Tibetan Buddhism to emerge into a stage of rapid development.

 Tibetan Buddhism Sects

Numerous Buddhist schools emerged after the mid-11th century, including the Nyingma, Sagya, Gagyu, Gadang, Zhigyed, Gyoyul, Gyonang, Kodrag, and Xalhu sects. The latter five were rather weak due to the lack of political support. They were thus forced to unite or were otherwise annexed by other sects, and as individual entities fell into oblivion. The following five sects enjoyed impressive popularity:

1. Nyingma Sect

The sect, founded in the 11th century, is also known as the Red Sect and is the oldest sect of Tibetan Buddhism. The sect paid great attention to absorbing the fine points of the Bon religion and, at the same time, did its best to locate Buddhist sutras secreted away when Darma began to suppress Buddhism.

Based on its practice of Buddhism deeply rooted in the Tubo Kingdom of the 8th century, the sect called itself Nyingma, meaning "ancient and old" in the Tibetan language. Monks of the Nyingma Sect wore red hats, hence the name Red Sect. The Red Sect mainly advocates the study of Tantrism. Its theory was strongly influenced by Han Buddhism, and is quite similar with the theory of Zen Buddhism in China's hinterland.

2. Sagya Sect

Sagya means "white land'' in Tibetan. The Sagya Sect, founded in the late 11th century, derived its name from the grayish white color of the Sagya Monastery, the sect's most important monastery. Enclosures in the sect's monasteries are painted with red, white, and black stripes, which respectively symbolize the Wisdom Buddha, the Goddess of Mercy, and the Diamond Hand Buddha. Hence, the sect is also known as the "Stripe Sect." The ever increasing influence of the sect and the expansion of feudal forces throughout its formation led to the increasing fame of the "Five Sagya Sect Forefathers.''

In 1247, a ruler of the later Yuan Dynasty (1271-1368) summoned the Fourth Forefather of the Sagya Sect, Sapan Gonggar Gyaincain, to Liangzhou in Northwest China's Ganshu Province. As a result, Sapan brought various feudal forces in Tibet under Yuan control.

Following the death of Sapan, Phags-pa, the Fifth Forefather of the Sagya Sect, emerged as a high-ranking official in the Yuan court. He was granted honorary titles such as "State Tutor," ''Imperial Tutor,'' and ''Great Treasure Prince of Dharma.'' Thereafter, the Sagya Sect emerged as the Yuan Dynasty representative in Tibet.

During the Ming Dynasty (1368-1644), Gonggar Zhaxi, an eminent monk with the Sagya Sect, journeyed to Nanjing, capital of the Ming Dynasty, to pay homage to Emperor Yong Le. Therefore, Gonggar was granted an honorary title as the "Mahayana Prince of Dharma,'' one of the three Princes of Dharma.

3. Gagyu Sect

The Gagyu Sect, founded in the 11th century, stresses the study of Tantrism and advocates that Tantrist tenets be passed down orally from one generation to another. Hence the name Gagyu, which in Tibetan means "passing down orally.'' Marba and Milha Riba, the founders of the Gagyu Sect, wore white monk robes when practicing Buddhism, hence the name White Sect.

In the early years, the White Sect was divided into the Xangba Gagyu, which declined in the 14th and to 15th centuries, and the Tabo Gagyu. The Tabo Gagyu was powerful and its branch sects were either in power in their respective localities or otherwise dominant among feudal forces.

4. Gadang Sect

The Gadang Sect, founded in 1056, primarily advocated the study of exoteric teachings, with later emphasis on Tantrism (active religious practice). In the Tibetan language, Ga refers to the teachings of Buddha, with tang meaning instruction. Gadang thus refers to advising people to accept Buddhism based on the teachings of Buddha. Its doctrines were promoted far and wide and thus exerted great influence on various Tibetan Buddhist sects. However, along with the rise of the Gelug Sect in the 15th century, the Gadang Sect dissolved, with its monks and monasteries merging with the former.

5. Gelug Sect

From its inception, the Gelug Sect, founded in 1409, has been the most famous Buddhist sect in Tibetan history since the 15th century. The sect was founded during the reform of Tibetan Buddhism initiated by Zongkapa.

Zongkapa himself was born when the Pagmo Zhuba replaced the Sagya Regime in power. At that time, upper-class monks involved in political and economic power struggle led a decadent life, and rapidly lost popularity. Faced with this situation, Zongkapa called for efforts to follow Buddhist tenets. He gave lecture tours in many areas and wrote books accusing decadent monks of failing to abide by Buddhist tenets.

Zongkapa spared no effort to press ahead with Buddhist reforms. For example, in the first month of 1409 according to the Tibetan calendar, Zongkapa initiated the Grand Summons Ceremony in Lahsa's Jokhang Monastery, a ceremony that continues to this day.

Then, Zongkapa constructed the famous Gandain Monastery and founded the Gelug Sect, which was famous for its strict adherence to commandments. Gelug is "commandments'' in Tibetan Zongkapa and his followers wore yellow hats, and thus the Gelug Sect also became known as the Yellow Sect.

Since its founding, the Yellow Sect has built the Zhaibung, Sera, Tashilhungpo, Tar, and Labrang monasteries, which join the Gandain Monastery as the six major monasteries of the Gelug Sect. The Yellow Sect is also known for the formation of the two largest Living Buddha reincarnation systems - the Dalai and Panchen systems.

Tibetan Art: Folk Carving

Tibetan Art: Folk Carving


Large in number, exquisite in materials and elegant tastes, Tibetan folk carving has been well known for centuries. The dozens of primordial rock painting s found in scarcely populated valleys are the works of Tibetan ancestors, also known as the first batch of artworks found on this land.

The art of folk carving in Tibet falls into many categories, including wood carving, stone carving, bone carving, and clay and metal sculptures, etc.

 Woodcarving

There are three kinds of woodcarvings: decorative carvings on buildings, scripture-edition carvings and mould carvings. Various exquisite woodcarvings decorate Tibetan beams, pillars and temple niches. Woodcarvings also appear on beams, pillars and windows in many homes. For example, the high and flat cabinets in many homes are decorated with continuous wood-carved designs. On top of the cabinet are lotus flowers and eight-treasure designs, which are painted in various bright colors.

Nowadays, Tibetan woodcarvers also make traditional and ceremonial carved furniture, such as altar s of all sizes, elaborate thrones, folding tables, incense burners, etc. Once completed, the carved pieces are polished in an old-fashioned way or painted in rich colors in accordance with Tibetan tradition. Some are further embellished with gold rims.

Some of the earliest examples of Tibetan woodcarving date back to the seventh century. The existing buildings of Tubo Times provide good insight into the perfect expressive art.
Clay Sculpture

Clay sculptures, also known as "Caca" in Tibetan, are often found in the various statue styles in temples. The larger works can be as tall as five or six meters, while the smallest can fit into a human hand. In addition to various kinds of Buddhist statues, subjects also include well-known historical figures, such as Songtsan Gambo and Princess Wencheng, as well as pavilion s, flowers, insects, fish, birds in flight and animals in motion, wind, clouds, the sun and the moon.

 Stone Carving

Among the various kinds of Tibetan folk carvings, the most popular is Mani stone carving due to its vast subject matter and rich contents which have a unique Tibetan hue.

In Tibet, stone carvings are almost entirely related to religion; "Mani Pile," also known as "lection stone" plays an important part in forming this strong religious atmosphere. The "Mani pile" is a ubiquitous sight near villages or on Tibetan roadsides. Tibetan Buddhists place small rocks into piles, where each rock is inscribed with the six-word mystic teaching of truth (Om-ma-ni, pad-me-Hum ) -- literally "Om! The jewel is in the lotus". A Tibetan will pause at a Mani pile to pray by walking around it clockwise. The subjects of Mani stone carvings are usually lections, Buddhas or Bodhisattvas. According to a carver, the lections or Buddhas on the stone are carved at the request of the relatives of the dead people to release souls from purgatory. Usually, the contents are decided by a Shaman.  

Mani stone carving differs significantly from place to place in Tibet according to the demand, interest and materials. Mani stone carvings in western Tibet take on an elegant flavor, while those in eastern Tibet have an air of antiquity.